CLARA'S VOICE
A SCHUMANN-BRAHMS ODYSSEY
for VOICE, CLARINET & PIANO
The performance will incorporate readings from their personal letters and diaries. These readings will be enhanced with dramatized projections/dialogues, where Clara, Robert, and Brahms "come alive".
PROGRAM
Robert Schumann - “Widmung” Op. 25 Nr. 1
Robert Schumann - “Frauenliebe und Leben” Op. 42
Nr. 1 Seit ich ihn gesehen
Nr. 2 Er, der Herrlichste von allen
Nr. 3 Ich kann's nicht fassen, nicht glauben
Nr. 4 Du Ring an meinem Finger
Robert Schumann - Fantasiestücke Nr. 3 Op. 73
Clara Schumann - “Die Lorelei” Op. 12
Clara Schumann “Drei Romanzen” Op. 22
I. Andante molto (Dâ™-dur)
III. Leidenschaftlich schnell (Bâ™-dur)
Clara Schumann - “Sechs Lieder” Op. 13
Nr. 1 - Ich stand in dunklen Träumen
Nr. 6 - Die stille Lotosblume
Johannes Brahms Sonata Nr. 1 Op. 120
Johannes Brahms “Zwei Gesänge” Op. 91
Nr. 1 Gestillte Sehnsucht
Nr. 2 Geistliches Wiegenlied
The line between what is real and what is not has become more blurred than ever before.
FULL PERFORMANCE - RADAR
23/06/22 19.00 Lille Sal Dokk1, Aarhus
24/06/22 19.30 Metronomen, Frederiksberg(CPH)
26/06/22 18.00 HvalsoKulturhus
PROJECTS
IMMUNE
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Safety Freedom Clarity Insusceptibility Unconstrained Protected
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Life has become distorted. The structures of society seem to be on the verge of crumbling, and we have found ourselves in a new state of flux, surrounded by phobia.
We live in the age of information, internet, and telecommunications, where the line between what is real and what is not has become even more blurred than ever before.
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Resistance - Unaffected - Relieved - Vulnerability - Exempted
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IMMUNE is a cross-over performance: a journey from classical to contemporary music, woven together by electronic sound, visuals and drama.
The audience will experience a unique performance with music, visual projections and a social critic as a theme.
Audiences are invited to rethink the way we relate to each other in modern life. The performance also seeks to establish a conversation with the audience - and perhaps generate a sense of conflict.
IMMUNE tells about the interaction between two beings no. 9 (clarinetist), no. 10 (pianist) and its conscience (sound / visual controller). The characters embark on a journey of emotion, and experience a loss of the void that gradually changes as the inner development of the main characters.
The pros and cons of being immune in today's society are discussed, along with the importance of technologies and the value of the little things; the importance of both sides and how we balance it all throughout the journey of life.
WORK TEAM
-On stage, you can experience Neli Pantsulaia (visual / sound controller) as the Conscience and ESTIL duo: Sandra Plauskaite (piano) as No. 10, Fátima Trives-Escolano (clarinet) as No. 9.
-You can hear music by C. Schumann, M. Tally, K. Milenko, R. Serksnyte, L. Auerbach and S. Feigin. Also, new works by Neli Pantsulaia and Aslaug Magnusdottir.
-Stage Instructor: Marlene Smith
-Visual artist: My Lambertsen
-Artistic Director/PM: Fátima Trives-Escolano
-Producer: Female Inspiration
-Venue: Lille Sal, Dock1 -23/06/22, Metronomen 24/06/22 and Hvalso Kulturhus 26/06/22.
The event is free, but remember to book a ticket via the ticket link of each venue. Check Event link in our Facebook Page.
IMMUNE has been created with support from the William Demant Foundation, AarhusMusicCity22, Aarhus Municipality and Frederiksberg Municipality. With the great help of DJMK Aarhus. The event is part of Music City Aarhus 2022.
Kvindelig Inspiration, Fátima Trives-Escolano's Debut Concert, a performance completed in June 2019 that highlighted the modern female figure, and its role in the classical music world, through music written or inspired by women.
KVINDELIG INSPIRATION DEBUTKONCERT
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Apart from the exceptional nature of each selected piece, they all have a common denominator: that they were written or inspired by female. It has been apparent throughout history, that the greatest composers have been inspired, supported and surrounded by the female presence. On another level, this performance aspires to highlight the modern female figure and role in the world of Classical Music.
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Interlude I (2019) …………..……….…….................…….……. Áslaug Magnúsdóttir (1993)
Prayer (1996-2008) ………………..….………..................…….…….… Lera Augbach (1973)
Interlude II (2019) ……….…..……..…….…................….……. Áslaug Magnúsdóttir (1993)
Der kleine Harlekin (1975) ………....................... Karlheinz Stockhausen (1928-2007)
Interlude III (2019) …………..…....…..….…...............….……. Áslaug Magnúsdóttir (1993)
SHE (2019) ……………………………..…….....................….…. Asger Agerskov Buur (1988)
1. Opening
2. Seduction
3. Legs
4. Arms
5. Hands
6. Eyes
7. Moves
8. Breath
9. Closing
Video: David Laumann Hansen and Fátima T.E
Clarinet Quintet in B minor Op. 115 (1891) …............... Johannes Brahms (1833-1897)
Allegro
Adagio
Andantino
Con moto
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Among others, we can mention Natmusik af Kvindelige Komponister, a project completed in June 2018, where the performance portrayed music inspired by nature and the shadows of the night, written by female composers. Another example is​
NATMUSIK AF KVINDELIGE KOMPONISTER
SOLISTKONCERT
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Social sounds from whales at night (2007) …………................…... Emily Doolittle (1972)
猿真似, Saru Mane (2017) ……………………...................……….…… Maia Thomas (1998)
Fantaisie pour Clarinette en Sib (1900) ……….................. Augusta Holmès (1847-1903)
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Fünf Lieder ……………………..................................…… Alma Schindler Mahler (1879-1964)
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III. Laue Sommernacht
Sonata for Clarinet and Piano (1988) ………..................………….. Carolyn Bremer (1957)
I. Smooth and singing
Leinolaulut ……………………………….............................……………….…. Kaija Saariaho (1952)
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I. ltarukous
Nattsanger (2004) ………….....................................................………… Abbie Betinis (1980)
I. Aftenrøden
II. Når de Sover
III. Mose, rust, og møll
IV. Lavmaelt
V. Lyktestolpen
VI. Nattmusikk
VII. Sjøfugl